Metropolitan Opera
Opera Orchestra of New York
English National Opera
Teater Kiel
Opera de las Americas
Tampa Bay Opera
Piedmont Opera
American Opera Repertory Company
Metro Lyric Opera
Opera and Concert Productions Worldwide
Opera Internationale

Solo Appearances With
Santo Domingo Symphony
Philharmonische Orchester der Stadt Kiel
Orchestra Eutin
St. Cecilia Chorus - Carnegie Hall
Masterwork Chorus - Carnegie Hall
Zamir Chorale - Alice Tully Hall
Adelphi University Symphony
Westfield Symphony
Midwest Productions - Carnegie Hall

Dramatic Soprano, April Evans has performed in major opera and concert halls of Europe and America and joined the Metropolitan Opera in 1995. Maestro Georg Solti wrote of her, "I have listened to April Evans sing and I believe her to be a singer of very considerable musicianship.” Ms. Evans has performed major roles of the Italian repertoire including Tosca, Turandot, La Boheme, Macbeth, Aida, Ballo in Maschera, and Suzel in L’Amico Fritz, as well as major roles of the German repertoire in opera houses around the world. She garnered critical acclaim for her performance of Irene in Eve Queler’s Opera Orchestra of New York’s performance of Wagner’s “Rienzi” at Lincoln Center’s Avery Fisher Hall and Washington’s Kennedy Center. Di Fedele of II Prgresso wrote of her performance, “April Evans dispatched the extravagant role of Irene with surprising bravura.”
Opera News singled out her interpretation of Tosca for both its “theatricality and poignancy. Vissi d’arte became a turning point rather than just a definition of her character, at the same time praising her “splendid voice.” Ms. Evans’ appearance as Susanna in the Opera Orchestra of New York’s production of Khovanschina in Carnegie Hall was described by Peter Davis of the New York Times as “outstanding,” and “brilliant” by Byron Belt of Newhouse Newspapers. Paul Somers of the Star Ledger wrote of Ms. Evans’ performance of Aida, “One must recognize the excellence of April Evans' Aida. She handled the two voices of her role with aplomb. The low passages were dark, moody and forceful, yet she floated the high pianissimo in "O Patria mia." Her extensive appearances in symphonic and oratorio include appearances in Carnegie Hall of the Verdi Requiem, Handel’s Messiah, Handel’s Israel In Egypt, Mozart Mass In C Minor and the Mozart Requiem. Ms. Evans’ upcoming performances include Ballo in Maschera and concerts in New York and Europe.

Awards
Luciano Pavarotti Competition
William Mattheus Sullivan Foundation Grant
American Opera Auditions Winner
Aspen Institute Voice Scholarship